I'm really a military art school grass, don't laugh!

Happy days always pass quickly. After half a month, Li Qin returned to the studio to film.

And Shen Yi was a little tired of the turmoil of government officials in his hometown and ran away early.

Unfortunately, the previous movie "Flying Life" contained a lot of actors and elements from Mongolia. It can be said that it made my hometown famous. This time, the government started making movies to promote Mongolia. Save time on culture.

However, the clever Shen Yi quickly referred this matter to Chen Kaige. There is a series of "My Motherland and Me" in Mongolia. Wouldn't it be better to leave this matter to the director of the National People's Congress with a big theme? The sixth god ascended to heaven, what a wonderful story, right?

After successfully confusing the matter with some words, Shen Yi and Li Qin returned to Kyoto and went to Deyun Club for a few days, and listened to cross talk for several days, just as they had agreed before.

However, after Li Qin left, Shen Yi was left by Guo Degang to capture the young man. There was no way anyone could let him listen to cross talk without spending money. Eaters have a short mouth and take people with short hands. Listening to cross talk... Well, maybe his ears are soft. Bar.

A new year brings a new chapter. Let’s tell a happy joke. Seeing Shen Yi’s movie selling well and becoming a billionaire actor, Guo Degang, who refuses to admit defeat, is ready to make a movie again!

Not only did he film it, but he also wrote his own script, starring Yue Yunpeng and all the actors from Deyun Club.

Yes, that's right, it's the movie "The Nineteenth Generation of Ancestors" that has a pretty good reputation among Guo Degang's movies.

Guo Degang really spent a lot of money this time. Not to mention a lot of effort wasted on the script. He also invited a lot of supporting guests. Shen Yi was stunned when he looked at the list. It was so big. There are thirty or forty actors in the long list, and the most inferior actors among them are all third-tier actors, and there are also many first- and second-tier actors.

Of course, the most ruthless ones are definitely Shen Yi and Wu Jing, two top players.

The scale of such an actor, excluding the political overtones and stories, is nothing compared to "My Motherland and Me" which is about to be prepared next door!Simply outrageous!
Of course, complaints are complaints, and Shen Yi has to handle the things he promised. Anyway, Shen Yi has nothing to do at the moment. He happens to be staying in Kyoto and helped Guo Degang briefly revise the movie script.

Speaking of which, Shen Yi actually feels that this script is really an interesting work. As for the box office...

Just like "Sewing Machine Band" after Dapeng's "Pancake Man", it was mainly deceived by everyone's distrust and improper film scheduling.When I went to see "The Nineteenth Generation", I was already watching it with the intention of watching a bad movie by Guo Degang, so naturally I was criticizing it everywhere.

After all, Guo Degang's movie script can be regarded as a relatively good modern absurd satirical drama. The script is written seriously and there is no perfunctory. The whole film uses a sincere and simple comedy method, and it even has the feeling of a 90s movie. It is not that It's an embarrassing film that makes you tickle your body without laughing. It has the feeling of "laugh if you want to. If the channel is not right for you and you don't get the funny point, you don't have to laugh. You can just watch the plot and understand it."

Compared with other comedians who imitate Hong Kong-style exaggeration with excessive force, this Beijing-style joke that adheres to the implicit, leading but interesting, and bland humor is more advanced, and there is almost no "vulgarity" in Guo Degang's cross talk.

The movie cannot be called a bad movie. At best, it can only be said that it cannot reach the level of a high-quality comedy. There are two reasons. One is that Yue Yunpeng's acting skills as an actor are indeed slightly different from those of professional actors.

Not to mention that the actors he plays with are all first-, second- and third-tier stars. In addition, the protagonist he plays as a writer is indeed a little less literary and a little more coquettish. All of these are different from other movies. The veteran actor was immediately crushed into the ground after a comparison.

As for the second issue, it’s the script. I can honestly say that not all of the five time-travel passages are bad. At least the one about “The Ancestor of the Miraculous Doctor of the Jin Dynasty” is remarkable, and the “Ancestor of the Professor of the Republic of China” and “The Ancient Era” are also remarkable. It's a half-good story, but the problem is that the whole "ancestors of Ming Dynasty masters" and "ancestors of Qing scholars" collapsed.

The scholar ancestors of the Qing Dynasty are extremely ironic, and it can be said that they portray the saying that they are useless scholars to the extreme. However, this feeling is inevitably uncomfortable for the audience who is involved in it, especially when watching comedy movies.

As for the ancestors of the masters of the Ming Dynasty, they basically changed a classic sketch format from the Northeast into a short movie. The routine of an ugly girl marrying her husband has been used on TV four or five times in Shenyang alone. Not to mention other people.

In such a bloody story, Guo Degang arranged for his sons Guo Qilin and Wu Jing to be assistant actors. This can be said to be an absolute waste.

Of these two issues, Shen Yi failed to solve the acting problem, and at the moment, Yue Yunpeng of Deyun Society was also the most suitable candidate.

So this time Shen Yi specifically helped Guo Degang change the two slightly worse stories in the script.

In fact, the story of the ancestors of the Qing Dynasty scholars can be changed to a good ending, but the story of Wu Jing really needs to be carefully considered...